By Sarah Kay
Bestiaries current debts of animals whose exceptional behaviors can be imitated or kept away from, looking on the given trait. In a hugely unique argument, Kay means that the organization of beasts with books is right here either literal and fabric, as approximately all surviving bestiaries are copied on parchment made up of animal pores and skin, which additionally resembles human dermis. utilizing a wealthy array of examples, she exhibits how the content material and materiality of bestiaries are associated as a result of the continuous references within the texts to the skins of alternative animals, in addition to the ways that the pages themselves repeatedly—and every now and then, it's going to appear, deliberately—intervene within the studying strategy. a necessary contribution to animal experiences and medieval manuscript reviews, this booklet sheds new mild at the ecu bestiary and its profound strength to form readers’ personal identities.
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Additional resources for Animal Skins and the Reading Self in Medieval Latin and French Bestiaries
Animal Skins and the Reading Self in Medieval Latin and French Bestiaries by Sarah Kay